Individual progression through the four stages
of analytic therapy
September 13, 2003
Individual progression through the four stages
of analytic therapy
Therapy is essentially the effort to build an adequate harmony between
both conscious and unconscious parts of the mind, thus bringing
cohesiveness, wholeness–symbolized by the mandala–to the individual.
The psyche being a self-regulating system, it has the ability and the
strength to heal itself. The role of the various forms of therapy, from
individual and group therapy to art-therapy and sand-tray therapy is to
facilitate self-awareness and healing. Analytical therapy is a
progression through the four stages defined by Jung as Confession,
Elucidation, Education and Transformation.
Confession
The confession stage is the first of the four stages of analytic
therapy. The patient may be given a personality test, to determine her
psychological typ'. During this stage the patient “tells” herself, the
story of her life, how she sees herself and the relationships with her
environment. This is a stage of discovery of the shadow, composed of
the elements of personal experiences she has forgotten or denied and
everything which should be part of the eg but that the ego denies or
refuses to develop. The confrontation with the shadow material which
brings important parts of the personality to consciousness can be a
difficult recall process and can induce a period of regression in the
patient. Regression is a normal mode of protection in an attempt of the
psyche to survive the onslaught of complexes. But it can also be
destructive if the person remains stuck in it. It should be a
transitory period of consolidation and integration of the personality.
The empathetic listening of the therapist when the patient expresses
this unordered excess of emotionally charged associations of ideas and
feelings tends to bind the patient to the therapist through
transference.
Elucidation
During the second phase, of elucidation, of the therapy, the patients
continues to explore her unconscious, trying to understand the
connection between transference and her infantile and preoedipal
development. The therapist draws her attention to personal meaning of
somatic symptoms and to dreams and fantasies which are the expression
of the personal unconscious. Dream and symbols analysis is a major part
of Jungian therapy. These images help the comprehension of the
unconscious and the development of the conscious layer of the
personality, formed of the ego and the persona.
Education
The subject of the third phase, education, is the conscious part
of the personality, the ego and the persona. The ego is the result of
the first part of life. It is formed of desires, emotions, intellect
and senses. The persona is the public image of the individual. The
persona is also a protective envelope for the privacy of the ego, and
acts as a variable screen which hides thoughts, feelings, ideas,
perceptions to various degrees and adapts to the variations of the
individual's environment. People can identify with their egos as well
as with their personas. If we accept this idea of a dichotomy of the
conscious layer of personality, it would be difficult to identify with
both at the same time. From my own experience, I have a feeling that
the unconscious, the ego and the persona are not different things but
one, with various degrees of consciousness and accessibility, from the
center (unconscious, surrounded by the ego) to the outer shell or skin
(the persona) and that the outer world is allowed to penetrate more
(osmosis) or less (blocking, rejection) deep into it. The self becomes
stronger with age through experience and the persona learns how to be
more efficient and adapt better to the person's environment, allowing
more or less energy to flow in both directions–and choosing the quality
of the external energy allowed to flow in.
This maturing process may be what Jung calls the individuation.
Although personality growth takes place at many states over the life
span, individuation is the task of the second part of life. It includes
the assimilation of personal shadow material and the integration of the
contra-sexual elements, animus, anima, in the psyche. Together with
self-knowledge, it is one of the goals of therapy. At the end of the
education phase, the translation of the intellectual reflection into
conscious action is encouraged by the therapist.
Transformation
This final phase is not always needed, but some patients cannot satisfy
themselves with their discoveries of the first three phases. They want
to go deeper into their exploration. This is the phase when the
transference, unresolved during phase three, becomes stronger. This is
the phase which Jung describes with analogies to medieval alchemy. This
is also the stage during which the transference and dream symbols go
from the personal to the archetypal level. The archetypal image convey
elements of the collective unconscious. This is the sign that the
patient has found her place in the world and marks the end of the
therapy.
Conclusion
Analytic therapy is the application of transpersonal psychology of
which Jung was a precursor. Through the four stages of therapy, the
therapist guides the individual towards wholeness, completion and
individuation, and helps her patient self-heal and find her true place
in the world. Jung's approach to the psyche, with spirituality as an
essential function, attracts a growing number of followers.
Bibliography
During the research process for this paper, I have used the following sources of information:
BuddhaLine. (n.d.). Psychologie et développement personnel. Retrieved September 12, 2003, from http://www.buddhaline.net/rubrique.php3?id_rubrique=28 (in French)
Douglas, C. (2000). Analytical Psychotherapy. In Raymond J. Corsini & Danny Wedding (Ed.), Current Psychotherapies (pp. 99-132). Belmont, CA: Wadsworth/Thomson Learning.
Whitmont, E. C. (1978). The Symbolic Quest. Basic Concepts of Analytical Psychology. Princeton: Princeton University Press.
For an exhaustive study of symbols, myths, dreams, customs, gestures, forms, figures, colors, numbers:
Chevalier, Jean, & Gheerbrant, Alain (1982). Dictionnaire des Symboles (Rev. ed.). Paris: Robert Laffont / Jupiter. (In French)
For an extraordinary collection of symbols in a half oneiric setting in one literary work (published in French in 1874) :
Flaubert, G. (1904). The Temptation of Saint Antony. In Flaubert, G. (1904). In Best Known Works of Gustave Flaubert (pp. 355-438). New York: Blue Ribbon Books, Inc.